Here’s a guest entry by my correspondent Ben Bishop who’s doing a project on Medieval scabbard mounts using data from the Portable Antiquites Scheme (PAS).
I am researching medieval English scabbard chapes formed of folded copper alloy. They date from the period c. AD 1050–1300. The overwhelming majority are fragmentary when found and recognisable by the most decorative elements (shield for the mounted warrior, dragon head for the winged dragon). They are spread across England, including the Isle of Wight. The counties that are richest in these objects are Wiltshire (particularly L shaped chapes), Hampshire, Buckinghamshire, Norfolk and Suffolk, with a fair number from Yorkshire and Cambridgeshire.
My project is a voluntary research paper based on my university dissertation. It is a classification of this material that may one day form a PAS datasheet accessible to the public. I have liaised with several metal detectorists and Finds Liason Officers from the PAS. I am analysing the iconography, manufacture and relationship of these chapes to other medieval dress accessories and scabbard fittings. They are fascinating and many show scenes that have no comparisons in medieval metalwork or sculpture.
Most are slender, measuring 20-60 mm in height and 20-40 mm in width. This object type follows a defined pattern, but examples are unique and contain individual decoration. They are L, J, V or U shaped, formed from one piece of copper alloy folded along the seam and riveted through the arm terminal and the plate. They are open and closed work mounts, some similar in appearance to strap ends.
They are a unique group, with many unique elements, like terminals or attachment arms. Several are themselves decorative creatures, open mouthed Viking beasts or fists. They contain a diverse range of scenes that range from simple geometric shapes or curvilinear lines to zoomorphic imagery. The most decorative are birds, horses with reins, copulating wolves, winged horses, dragons, mounted warriors and riders grappling stag like creatures. Later variations are U shaped, with incised scallops on the face or fleurs-de-lis. These generally have a cross engraved or etched into the reverse which is often crude and may be a maker’s mark.
Although they contain elements of the Ringrike, Urnes and Romanesque styles they do not adhere to the stereotypical art styles of the Late Viking Period. They are separate from the formulaic chapes of the high medieval era. European connections are unknown, but comparable examples to those found on the 2010 ‘Four knife sheath chapes’ blog entry here have been discovered.
As mentioned, most of these objects are fragmentary and only analysis of multiple examples can provide reliable information. Over 200 folded bifacial scabbard or sheath chapes have been recovered. Over 95% were recovered by metal detectorists and recorded through the support of groups like the Portable Antiquities Scheme. Many new types are emerging through this cooperation, but little has been published and most analysis is based on assessment of a singular find.
I have accessed all relatively accessible published examples on the PAS and in literature, I have searched metal detector forums for examples but I would appreciate any help you can give me.
If you know of any published, unpublished, found or excavated examples or have any suggestions all feedback would be gratefully received. If you have discovered any yourself, or similar items it would be fascinating to have your input. If you would like any more information on the project or any particular aspects please let me know at ben.bishop27 at gmail dot com.